Keeping My Ear to the Grindstone: XXXtentacion 17

XXXtentacion begins his new album, “17,” with a lo-fi personal message: “By listening to this album you are literally—I cannot stress this enough—I mean literally entering my mind.” He ends the 55-second monologue with this: “I put my all into this in hopes that it will help cure or at least numb your depression.”

On his latest project, the Florida rapper—Jahseh Dwayne Onfroy—stays true to his heavy-handed opening message and delivers a 22-minute emotional letter to his fans. The album is genre-bending and beautifully experimental at its best. At its low moments it is emotional writhing. Onfroy is having his moment in the sun thanks to his fervent fans who have pulled him from the teeming pits of Soundcloud rappers and into the national hip-hop discussion.

His first Soundcloud track was released in 2014 and has since amassed over 400 million listens. His most popular track, “Look at Me,” features a Migos-inspired triplet flow and blown-out, over-produced bass, but Onfroy is a far more versatile artist than this track lets on. On “17,” he displays this versatility and employs an emo-rap style that relies heavily on backing vocals and naked, minimal guitar.

Cartoon by Lo Wall

Onfroy’s looming and persistent legal troubles are inescapable elements of “17.” As he discusses in an extensive No Jumper interview from 2016, he was raised in a single-parent home outside of Fort Lauderdale, Fla. and constantly faced trouble with teachers, administrators, and eventually the police. Onfroy has spent time in jail for home invasion and aggravated assault, and he is currently under investigation for domestic battery of his pregnant ex-girlfriend. However, Onfroy is pleading not guilty to the charges and is awaiting a trial.

The story is an unsavory one to say the least, and it has cast a shadow of violence over his latest release. There is a longer discussion to be had about whether it is OK to like art produced by morally questionable artists. To make the deep rabbit hole shallower, I do not come to an album looking for moral guidance, but rather I evaluate “17” as a piece of music before I consider the morality of its creator. The territory is sticky, however, because every stream on Spotify is pushing his name higher on the charts and giving him a larger platform. These ideas competed in my mind throughout the project and remain unresolved.

As a piece of music, “17” peaks early and then limps to an uninspiring end. The Trippie Redd feature on “Fuck Love,” the eighth track, is horrendous. Trippie Redd’s whiny voice makes the hook nearly unlistenable. Luckily, “Fuck Love” comes after three extremely strong tracks at the top of the album. “Jocelyn Flores,” “Depression & Obsession,” and “Everybody Dies in Their Nightmares” are all excellent tracks. Shiloh Dynasty, an anonymous Instagram vocalist, is sampled heavily in all three and blends perfectly with Onfroy’s flow. Dynasty’s voice is elegant and creates a gentle background that meshes with the dark, emotional verses from Onfroy.

While the allegations from his ex-girlfriend are still exactly that, allegations, Onfroy addresses the situation directly on “Revenge,” “Save Me,” and “Carry On.” When he does this, I have trouble with his lyrics and overall message. The amount of anger and numerous calls for violence against his girlfriend in these three songs are not something I can nod my head to.

His singing on “Save Me” is a serious weakness and could have been much stronger if he sampled Shiloh Dynasty again for this track. On “Carry On,” Shiloh’s vocals are perfect and ethereal, but Onfroy’s victim narrative has worn thin by this point in the project. On “Everybody Dies in Their Nightmares,” he raps more aggressively and impressively, but on “Carry On” he is lagging in both energy and pathos with the listener.

Moving forward, the 22-minute album raises more questions than answers. The hip-hop community will continue to be polarized over XXXtentacion’s checkered legal past, but it will also continue to discuss his music releases. On “17” he gives us a taste of how easily he can defy the label of a Soundcloud rapper and evolve beyond the generic xanax-fueled bars of many of 2017’s momentary stars.

Overall Score: Weak to Decent 5

If you enjoyed this album, listen to:

“Science Fiction” by Brand New

“Come Over When You’re Sober, Pt. 1” by Lil Peep

“You Will Regret” by Ski Mask the Slump God

David Andrews

David Andrews

David began his time with the Catalyst in the Fall of 2014 as a first-year. After two blocks as a writer he became the Sports Editor and continued in this role for the spring and fall semester of 2015. Beginning in the spring semester of 2016 he took over as Editor in Chief of the newspaper. Andrews is majoring in English-Creative Writing-Poetry and loves the Catalyst.

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